Moonshine is a study in contrast.
Heavy brass and volatile colour. Control and unpredictability. Precision cut, then deliberately pushed beyond it.

At its core sits titanium — given space to breathe, to move, and to become the hero of the piece.

Materials & Form

Moonshine is cut from solid 4.8 mm brass, finished with a blackened patina and then selectively brushed to expose warmth and depth beneath the surface. The brass is sealed with Renaissance Museum-Grade Micro-Crystalline Wax, chosen for its archival protection and subtle, natural sheen.

Set into the body are two titanium inlays, each individually heat-treated and hand-colour-matched to each other.

• Material: Solid brass with titanium inlays

• Thickness: 4.8 mm

• Weight: 38 grams

• Size: 44 × 28 mm

Dense, grounded, and deliberate in hand.

Titanium & Colour

No two Moonshine pieces are the same.

Each titanium insert is heated by hand using a direct blow torch, creating a thick, deep oxide layer that travels fully through the material — front to back. The result is a living surface that shifts with light and angle.

Across the run, tones range through light blue, deep blue, petrol blue, charcoal, soft grey, and near-black, ever-changing within the piece as it moves. The effect is a subtle colour-flip rather than a fixed hue.

The two titanium inlays in each marker are hand-selected as a pair, chosen to match the brass base and each other in tone, gradient, and movement. No substitutions. No automation.

Design Intent

The design was intentionally restrained.

Negative space surrounds the titanium so it can command attention without noise. Nothing competes with it. Nothing crowds it. The brass exists to frame and support the moment, not overpower it.

This is not a decorative piece. It’s a composition.

The Cut

The reverse of Moonshine reveals an empty mason jar (traditionally used to bottle moonshine — a quiet nod to its namesake — alongside the Omen mark, the word Moonshine, and its individual edition number: Cut 01/15 through 15/15.

The word cut carries a double meaning.

The brass itself is deeply cut — aggressively, repeatedly — but in moonshine lore, the cut is the moment where spirit is separated, refined, and chosen. Heads, hearts, tails. What’s kept matters.

Moonshine lives in that idea of selection.

Making & Time

Every Moonshine marker is deep-cut throughout, with a combined machining time of over four hours per piece across the front, back, and titanium components — excluding assembly, finishing, and heat-treating.

Nothing here is fast. Nothing here is incidental.

Each piece is assembled, finished, and inspected by hand.

Moonshine is intentionally variable.
It cannot be standardised.
And it was never meant to be.